System Design Assignment

This section includes an assignment i completed for my Sound Reinforcement class, where i was tasked with designing a full live sound system for a hypothetical gig in the college's live room 1/24. I also had to provide a full system diagram, justify my equipment choices, and complete calculations to show that the speaker setup would be loud enough for the room.





Explanation
Mic level inputs in this system will go straight into one of the 24 "ins" on the stage box, which will then send them to the 24 corresponding mono channel inputs on the Midas desk. These can then be compressed if needed using the compressor plugged into the channel inserts, and effects can be added through the use of the aux 5 and 6 buses. The master output signal also has a Front of House EQ using a graphic equaliser on the mix inserts. The left and right master outputs and auxiliary 1-4 outputs are then carried back to the stage box using the 8 designated "outs", where the left and right master signals are taken out at line level straight to the correct sub, and linked to the loudspeaker on top, completing the Front of House system. The 4 auxiliary outs are taken from the stage box via an XLR connector and each is plugged into one of the channels of an amp. This then amplifies the signal to speaker level which can then be taken out of the amps using speakon connectors and send to the corresponding monitor wedge.

List of Equipment
·         Midas VeniceF 32 Analogue Mixing desk
·         PA - HK Audio Elias PX System - 2 Subwwoofers and 2 Loudspeaker wedges
·         Foldback - 4 Yamaha SM12V passive speaker wedges
·         Amplification - 2 matched dual channel power amplifiers
·         Proel 25m 24in/8out multicore
·         Numerous DI Boxes, XLR cables, Speakon connectors and 1/4" jack connectors
·         Outboard Effects rack, including compressors, effects processors and graphic equalisers

Justification
I have put together this system with these specific components as i believe they would give me enough flexibility and options to comfortably engineer any size and genre of gig. The VeniceF 32 is a newer Midas desk, giving me 24 mono mic and line ins, as well as a further 4 stereo mic and line ins should i need them, which should be more than enough inputs for any band or group. The desk also has 6 auxiliary routing buses, enough for me to comfortably run effects and a full on stage monitor setup, and it now also has a built in firewire connection, allowing me to run multitrack recording or extra effects and plug-ins from a laptop. I have chosen the HK Audio Elias PX system as it covers a wide dynamic range, 48Hz - 19kHz as a full system, and it is an active system, meaning it does not require additional amplifiers, and it gives me more versatility as i could choose to simply use the loudspeakers for a smaller gig, or i could easily expand my rig using more active speakers. I have included the Yamaha SM12V's in my system as i know that they are well reputed as monitor wedges, as they are very well built and durable, and have a 60Hz - 16kHz frequency response, with good accuracy and clarity.
I have also done calculations to find expected SPL levels, and found these to be suitable for the system and venue:
The speaker will be on the stage, sitting on top of a sub unit, roughly 4-5m above the ground, facing outwards towards the audience and downwards at a slight 15-20 degree angle

1m from speaker, on axis: 104+10log(400)-20log(1)-0= 130.02dB
10m from speaker, on axis: 104+10log(400)-20log(10)-0= 110.02dB
20m from speaker, on axis: 104+10log(400)-20log(20)-0= 104dB

1m from speaker, off axis: 104+10log(400)-20log(1)-6=  124.02dB
10m from speaker, off axis: 104+10log(400)-20log(10)-6=  104.01dB
20m from speaker, off axis: 104+10log(400)-20log(20)-6=  98db

These calculations show that even at the furthest 20m away from the speaker and in an off axis position, the expected SPL level will still be 98dB, a very suitable level. However, we must take into account that the speakers will not always be running at their maximum power level, so we might expect to see slightly lower SPL levels in a practical situation than have been calculated here, however i am confident that this system will adequately cover an area the size of the live room in R1/24
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